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Ms. Marvel and a Muslim’s Perspective
Jenna Abdulhak
, Staff Writer
February 8, 2023
Netflix’s Wednesday dances between realism, surrealism
Annabelle Bartz
, Creative Editor
November 30, 2022
In a world of content so starved for queer representation, Netflix’s “Heart Stopper” feels like a show written by queer people, for queer people
Annabelle Bartz
, Staff Writer
May 5, 2022
Stranger Things season 4: predictions, excitement, and the new trailer
Annabelle Bartz
, Staff Writer
April 15, 2022
Netflix’s Arcane has magical animation and a complex plot
Annabelle Bartz
, Staff Writer
April 13, 2022
Netflix’s Cheer has more sadness than spirit
Kayla Malaski
, Staff Writer
April 1, 2022
Nickelodeon announces creation of Avatar studios
Maya Daniels
, Opinion Editor
April 2, 2021
Why to watch “Call Me Kat”
Katie Knight
, Design Editor
February 2, 2021
Award shows in the virtual age
Aaliyah Motiwala
, Staff Writer
November 5, 2020
Masked singers, but not a masked audience
Allie Miller
, Staff Writer
November 3, 2020
Avatar: the perfect metaphor for Trump’s America and the fate of a culturally relevant remake
Emily Macaulay
, Staff Writer
September 14, 2020
Fans fight for the renewal of Anne with an E
Snigda Narisetty
, Editor in Chief
February 11, 2020
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